Glenorchy, NZ

Glenorchy, New Zealand, where I’ll be for the next 8 weeks, sits on a lake that is 100 meters deeper than the surface of the sea and is fed by runoff from mountains named the Remarkables. The lake, Wakatipu, is shaped like a dog’s leg and Glenorchy is on the hip end at the north. If you zoom out to gain the perspective of a satellite,  you’ll see Chukotsky, the eastern most region of Russia to the north; the Ross ice shelf of Antarctica will be to your south; moving due east or west, you will cross Patagonia; and if you follow a true diagonal through the earth, you will bob up in the ocean a few miles off the coast of A Coruña, Spain.

Back at ground level, Glenorchy is a quiet town of 200 residents, whose main street supplies the basic needs of a modern life.

There’s good food at the Glenorchy Cafe…

clothing…

energy…

and emergency service.

Like the establishments that provide basic services, the cultural venues are similarly no frills, like the old town library.

There are a few sites of historical interest, like this monument to those who died in WW1. The poignancy of the memorial is not lost in the battle with necessary things like power lines and loo signs, but the clash of the extraordinary and the commonplace on Main Street makes for a small shock, like static electricity in a favorite blanket.

The source from which this settlement draws its life has always been the land. Since the nineteenth century, settlers came to raise sheep and pan for gold. The gold rush was short lived, but the sheep are still here. Now the town draws on the drama of the landscape for an income.  The story here is light, space and sky, all played out on the sides of mountains. It’s an old story, but still a good one. And as a friend said, “It is perhaps the best story, and we just keep struggling to tell it correctly.”

Warren Cooper, Landscape Painter

 

I lost the first round. We were looking at a canal scene of Venice that he had painted and I mentioned that once on art business I had stayed in that city for a month. Warren Cooper, a tall man of 79 years with clear, blue eyes and the kind of thick, white hair that elects men to Presidencies, sensed that behind the factual banality of my comment was a maneuver, common to first encounters, to establish our relative social positions. He neatly countered with, “ Oh, I’ve been to Italy many times as the Minister of Foreign Affairs of New Zealand.”

 

“When other kids liked comics, I liked color charts”, said Mr. Cooper about his first visual stirrings. From this innate attraction grew an early career as a sign painter in 1940’s Queenstown, a small but growing city on the south island of New Zealand. He did not have an apprenticeship in the trade, but taught himself from manuals. For it’s roundness, Mr. Cooper likes the typeface, “Cooper”, but the shared name is a coincidence, he says.

 

 

As a young entrepreneur, he encouraged clients to do big signs with artwork like the iconic Esso Tiger he once painted for an oil company on Main Street. More than the supplier of bold advertizing for local merchants, Mr. Cooper offered his community and his country years of service, first as Mayor of Queenstown, then as a Member of Parliament, and finally as a cabinet member in the Muldoon and Bolger administrations.

 

Now, Mr. Cooper has retired and has returned to painting with zeal. Working mostly from photographs that he finds in books, magazines and newspapers, he favors landscape subjects. Expecting to hear sentiment of deep attachment to natural scenery, I asked Mr. Cooper why he favors the genre.  He replied, “I have a huge difficulty doing bodies, I should practice.” Landscape, it seems, is a practical choice, since it is a more manageable subject than the human figure.

But he did hint, later in the conversation, of softer motivations. For one, he’s fond of the Tuscan landscape, a place he has visited many times and now paints often. Not one to gush, Mr. Cooper said of Italy, “If I just see it on TV, I immediately think I wish I was there.”

But the house is full of paintings, and I sensed a passion for the act that was more than a chance to relive pleasant memories. So what is driving Mr. Cooper’s desire to paint? “Winston Churchill”, said Mr. Cooper. “When he retired he spent time either brick laying or landscape painting. You can get lost in both. That’s the nice part about it, if the work is going well, you can do it for two hours and it would seem like 45 minutes. You can escape in it.”

So there it is; painting like brick laying is a place to enter time and be a part of it rather than sit outside of it and watch it slowly pass by.

 

Leaving

Packing went on all week. Every choice was labored. It’s mid-summer in New Zealand, have I brought enough yellow and green? Will the mornings be cool enough for long johns?  Can I get by with medium grit sandpaper, or should I take fine and coarse as well? Once selected, each item was inventoried, and placed in suitcases, hard things nestled in soft things to minimize shock and damage.  Each bag was composed not to exceed the weight limit of 50lbs.

“Myself”, I said standing in the bathroom packing toiletries on the day before I left, “it’s a long flight to New Zealand and you’ll want to brush your teeth along the way. You could take this half-used tube of toothpaste, but it might be confiscated by the TSA for exceeding the gel limit. Or you could take your third trip in two days to the drugstore and buy a travel size.” Pondering the choice, I looked up, and saw in the mirror a face so worried that it could have been captioned, “MOMENTS BEFORE AN EXPLOSIVE ANEURYSM, MAN ATTEMPTS TO FORESEE EVERY EVENTUALITY AND PACK PERFECTLY SO THAT NOTHING EVER GOES WRONG”

The Next Antipodal Pair, New Zealand and Spain

After a quiet spell, Antipodes.us will be active in 2012 with posts from another antipodal pair, New Zealand and Spain. Posts from Glenorchy, on the south island of New Zealand will begin in mid-January. Posts from the Galicia region of Spain will begin in early April. I hope you [...] Continue Reading…

The Most Beautiful Place on Earth

“It’s the most beautiful place on earth”, I said to a friend.  I was referring to Halina Pali, a great cliff that drops to the Pacific on the southern coast of Hawaii.  Each time I visited the place, I said the same thing to myself, but I dismissed the [...] Continue Reading…

Hawaiian Paintings

A few more pictures from my last weeks in Hawaii. The titles are provisional. All works are oil on aluminum, 24″x 30″.

Bird Song, Pohoiki Road, Hawaii

Hawk rousting Mynas, Pohoiki Road, Hawaii

Kalapana, Hawaii

Zombies of Botany

If beauty is motivation to live, and I think it is, then the plants of Hawaii do humanity an enormous favor, reaffirming life with their sensual display. Having ten or more distinct climate zones, the island of Hawaii has an astonishing diversity of plant life to contemplate. And it’s [...] Continue Reading…

More Paintings from Hawaii

The following paintings, made on the big island of Hawaii, are oil on aluminum panel, 24″ x 30″. The titles are provisional.

T

Fern Trees, Volcano, Hawaii

Keana Bihopa, Hawaii

Monkey Pod Tree, Kalapana, Hawaii

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Heebie-Jeebies

At the mention of Mo’okini Heiau, Andrew Doughty, the author of a popular guidebook, Hawaii The Big Island Reveled, suddenly turns mystical.

“Even before we knew the gory details about Mo’okini Heiau’s history, the place gave us the heebie-jeebies. We aren’t the only ones who have noticed that the area [...] Continue Reading…

Paintings in Progress from Hawaii

The following paintings are all 24″ x 30″, oil on aluminum panel and were painted out of doors on the big island of Hawaii. I really don’t know if they are finished, but they are far enough along to share.

Continue Reading…